This week’s topic of ‘making
the invisible visible’ was truly incredible, even the title gets you thinking.
I had never thought about how many visual signs I ‘take for granted’ or I just
know/recognise daily.
One of the examples Andrew
used which struck me was ‘the dashed line’. I studied Industrial Design for one
year and had to do copious amounts of technical drawings. These drawings aren’t
easy; they take hours and are incredibly detailed. They end up looking
something like an architectural drawing, but for a product not a building. As
the drawings are done in black and white with a pen, you have to show many
different kinds of details with line thickness and dashed lines. When I was
learning how to do these drawings, I just took those rules for what they were
and got on with it. I never thought how people just somehow knew what each line
represented. It’s kind of like speaking another language.
If we look at the art of
VJ-ing, we see another way in which something intangible can be physically
seen. “VJs,” as they are called, employ the use of images and visuals, which
are synchronized with and/or respond to their music. It’s like you can see
music. But isn’t the performing arts way ahead of VJing? In my opinion ballet
was way ahead of its time.
Visualisation can never
replace firm facts or extensive data, they should only exist to complement the
data and make it more manageable. I don’t think visualisation should replace the text, are we so lazy
we have to have everything drawn out for us?
A quote from the reading ‘The
Virtual Window Interactive” saying “how the world is framed may be as important
as what is contained within that frame,” I thought was brilliant. Very abstract
but here it is anyway – everything is about perception.
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